06
Apr
All The News That’s Fit To Post – how the graphics department of The New York Times design’s the world’s most respected newspaper, a teaser for Gestalten’s Visual Storytelling.
Esquire Theme by Matthew Buchanan
Social icons by Tim van Damme
06
Apr
All The News That’s Fit To Post – how the graphics department of The New York Times design’s the world’s most respected newspaper, a teaser for Gestalten’s Visual Storytelling.
04
Mar
26
Feb
Those yellow flowers blooming in waves along the roadsides of Kentucky this time of year are known by several names—March flowers, March lilies, Easter flowers, jonquils, daffodils, narcissus, and even buttercups.
Some of the names are technically incorrect, I know, including buttercups, which is what my family always called them. But so far there is no law against calling them whatever we like.
On a lonesome green knoll in a grove of black locusts near the heart of Kentucky, a multitude of yellow blossoms will soon begin their gentle dance into spring with no one there to see them. These flowers are all that remain to mark the spot my family once called home. We moved to another location on the farm, a half-mile away, when I was a toddler, and the old homeplace on the creek road is now barely a wisp of memory.
Virtually nothing is left there save the March flowers, which have bloomed in profusion every year despite repeated assaults by bulldozers, late freezes, droughts, and flooding.
The house, barn, and outbuildings, the orchard and its old-fashioned speckled apples that we once shook from the trees, and remnants of the historic gristmill that stood along the nearby creek, are all gone without a trace.
Yet these fragile yellow flowers greet the first breath of spring each year as though my family is still there, waiting to pick them for Sunday bouquets, or hide Easter eggs among them for small hands to gather.
14
Jan
A behind-the-scenes look at putting out a newspaper in the 1970s.
(Source: The Atlantic)
05
Jan
I have always regarded the newspapers owned by me as a public trust and have endeavored so to conduct them as to render the greatest public service.

Robert Worth Bingham, who bought The Courier-Journal newspaper in 1918 and whose family owned it until 1986. The words are set permanently above the elevators that lead to the news operations in The Courier-Journal building in Louisville, Ky.
01
Jan
Many of you know that my dad, former Courier-Journal Kentucky columnist Byron Crawford, writes a monthly column for Kentucky Living magazine. This month, his column takes up a topic of special significance to our family, a tomcat who befriended my grandfather in the final stages of his life. “Dog” the cat is pictured below with my son, Henry. And I offer the first bit of my dad’s January column here, with a link for more …

Had my father Delbert Crawford lived until the 20th of this month he’d have been 103 years old. We lost him to pneumonia last April.
Thinking of him just now, I am remembering how he continued to savor life during his last months, even as age stole most of his eyesight, his hearing, and his mind.
When he no longer could see to work crossword puzzles or giant word jumbles, he shifted his interest to moon phases and what time the moon came up each night, waiting at certain windows to watch. “Did you see how pretty the moon was tonight?” he’d ask on the phone. He even made a study of what time each evening the mercury vapor streetlights came on.
His last summer with us—as his senses dimmed to a flicker—he often spent hours sitting in the swing on the patio, but rarely had much to say.
Then one afternoon, out of nowhere, a disheveled tomcat wandered straight up to the swing, jumped into Dad’s lap, began purring, and curled up to be petted.
My mother, Lucille, was amazed at the transformation that suddenly came over Dad. He began laughing and talking again, to the big gray cat with white feet.
No one around the neighborhood had ever seen the cat, which had been declawed and neutered, and its owner could not be found.
My mother called it a miracle. Dad called it a dog.

New Year’s Day dawned in my living room with a suspicious sun taking occasional peeks at the new year. The wind has not been so shy. It is unclear whether its rush is to blow in the new year or out the old.
After holding out till midnight, two sons got up at the customary hour, but now have fallen back asleep on couch and floor. One wears a batting helmet he got for Christmas — hope of a new season.
I, too, think about swings, hits and misses.

25
Dec
I don’t remember how old I was, nor what gifts I received. For a writer, not remembering is a nuisance. And occasionally, a gift.
It was Christmas night. The excitement had passed. The gifts had been given. Brothers and sister were scattered to corners to play. The grown-ups, I imagine, were sitting around, telling each other that they’d overdone it, that they could return what didn’t fit, remembering.
I do know that I warmed up one of my two basketballs by the wood stove until it was stretched to the point of bursting. Maybe I warmed myself, too, as I sometimes did before slipping out the lengthy back hallway and out toward the barn.
Watch the boy, stepping through the clear night with pregame purpose, trailed by clouds of his breathing. See him pull open a side door, climb up an enclosed feed trough and click on a drop-cord light, revealing a basketball rim and net, hung above the wide, shut, double barn doors.
There were several goals at our house. The main one was out in the side yard. My first goal.
My dad had gotten the idea to fix up a backboard and hoop on an old, out-of-use telephone pole on the property and plant it in a patch of ground beside the house.
So he set to work with the post-hole diggers. He went into town and bought the goal, braced it to the pole, and several of us steadied the unbearably heavy contraption against the closed tailgate of his pale yellow pickup.
The plan, as I remember it, was to back the truck up while pushing the pole and steadying it so that it would nestle down into the hole.
But when we tried to hoist the pole, we lost it, and it slid sideways and crashed to the ground, the fiberglass backboard breaking in half. Sometimes, remembering the scene, I can almost imagine Garrison Keillor narrating it, his voice now lilting to almost a whisper, describing the fall, pausing for the audience to laugh.
My dad had no choice, it seemed, but to go buy another one. On the second try, we got it right, and it became my home court for the next eight seasons or so, until I left for college.
The broken goal hung, too, glued together, above the door of a small wooden shed, about six feet off the ground. I played on it when I wanted to pretend to be tall, until the walnuts ripened overhead and started falling in bunches.
The goal in the barn was reserved for rainy days or winter nights. There was no scoreboard, but the clock certainly was ticking. After about 15 minutes on a cold night, the ball no longer would bounce.
I can’t remember the specifics of that Christmas. I can remember taking off my jacket and bouncing the ball in a playing space not much wider than a free-throw lane, bordered on one side by a stall for a calf and another on the other for storage. The bare light bulb threw off fierce shadows, and a beam in the ceiling meant that shooting arc had to be at a minimum.
The boards of the barn floor were loose and uneven, except for one. How is it that I cannot remember the highlights of a holiday, but I remember a lone board in a barn floor, driven solid by a nail, on which I bounced the ball to shoot free throws?
I couldn’t have stayed very long, but certainly long enough to satisfy one of those bursts of boyhood basketball energy, long enough to feel the cold in my bones, because shooting ball in a winter coat was no way to play. Making the last shot, or maybe several last shots, I flung myself back over into the stall, climbed up and clicked off the light, and headed back to the house.
It’s possible I never even was missed. The clicking off of that light, it seems, is the shutting off of my memory.
But it doesn’t take light to illuminate such a moment, even years later.
As a child, I was focused on the game. The bounce of the ball, the sound of the net. As a man, the camera widens, the light softens, the scene pans and there’s a boy, on Christmas night, in a barn, next to a trough for feeding animals. We never called it a manger. But all these years later, it calls to me.
In a lifetime of keeping my eye on the ball, it wouldn’t be the last time I would wander straight through the Nativity without noticing. Thankfully, each year presents us a new chance to stop, be still and quiet, and find it again before the ball stops bouncing.